
Marina Tsvetaeva, from The Collected Poems; “Poem of the Mountain,” c. 1920
(via bronzyglow)

excerpt from “four poems by carla” published in the ladder vol. 13 no. 5, february 1969
(via bronzyglow)
soih:
you know it’s winter cause women be posting the most heavy, on-the-nose feminist theory about how all of this is futile and being a woman is to be a subhuman object of endless torture and it’s like, thank you seasonal depression for raising the collective consciousness! take the sun and warmth away and we realize how empty and hysterical and feral we all are!
(via vigilantehearts)
the wild thing about trauma is I’m always going to feel older in some situations but like a toddler in others and that’s frustrating
(via vigilantehearts)
“I wanted to explain myself to myself in an understandable way. I gave shape to my fears and made excuses. I varied my velocities, watched myselves sleep. Something’s not right about what I’m doing but I’m still doing it— living in the worst parts, ruining myself. My inner life is a sheet of black glass. If I fell through the floor I would keep falling. The enormity of my desire disgusts me.”— Richard Siken, from “Birds Hover the Trampled Field”, published in “War of the Foxes” (via weltenwellen)
(via vigilantehearts)
“I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.”— Patti Smith (via quotemadness)
(Source: quotemadness.com)
Azzedine Alaïa: “Je suis couturier”
41 Azzedine Alaïa Dress Exhibition Curated by Olivier Saillard(via fucklovepayme)

Hibiscus made of rose quartz and serpentine from China.
-Natural History Museum Vienna, Austria(via eraelus)
pitchfork reviewing a fiona apple album: fiona 👩 apple 🍎 is 🤔weird 😳 and we’re ✍️ weird 🤪 too 😝 and ☝️ rAndOm 👀 so we 🙏 “get” 😉 it 🖤 7.8
(via lobotomybarbie)

Paul Valéry, tr. by Hilary Corke, from “The Pythoness Exhaling the Flame,” wr. c. July 1923
(via thepassionofanna)
film is important because we are cameras
(Source: hospitalvesper, via ohbutwebestmakepeacewithit)